Live performance of Christmas carols and holiday songs provides an unforgettable, emotionally rich experience. Our mission is to bring professional quality caroling performances to people all over the Mid-Atlantic region, especially to places where such experiences can be difficult to find. We want to touch the hearts and souls of as many people as possible, filling them all with the holiday spirit. It is also our mission to pay a fair wage to our talented, experienced vocal artists for their time, energy, education, and experience.
We present a fun, experienced, and highly talented a cappella quartet (or octet or even a full choir!) for your town, business, or private Christmas party or holiday event. In our brief history, we have sung for hundreds of live or televised events throughout the mid-Atlantic region including Philadelphia, New York, Southern New Jersey, the New Jersey Shore, Central New Jersey, Northern New Jersey, northern Delaware, and southern Connecticut, and eastern Pennsylvania. Our singers are highly experienced and talented, with some of the top level training available throughout the world. You can read more about our individual members below by clicking on their names below.
The Village Carolers™ was founded in 2012 by Westminster Choir alumni Michael and Suzanne Chadwick, who have each spent nearly 30 years singing professionally around the world in operas and oratorios.
Shortly after moving from Manhattan to Medford, New Jersey, a local candy shop owner asked Michael and Suzanne if they could use their singer networking resources to put together a caroling group to perform a few carols at her candy shop. Within days, after hearing the high quality level of the voices, multiple people requested us to sing for their event. At the end of that season the group officially became The Village Carolers and has been singing dozens of performances each year ever since.
Click a name to learn more about our singers!
Julie-Ann Green, soprano, earned a Bachelor of Arts degree as a double major in Vocal Performance and Music Education from Rowan University (formerly Glassboro State College). She has earned Artists Diplomas from the Mozarteum Academy in Salzburg, Austria, and has studied Italian Opera, Language, Art and Culture at the Florence Voice Seminar in Florence, Italy. Her vocal talents have attained her numerous honors including Encouragement Grant, Marian Anderson Award; Mozarteum Academy Scholarship; and National Winner, Leontyne Price Vocal Arts Competition.
Ms. Green made her New York solo debut at Carnegie Hall in 1992, and was presented in a solo recital at Weill Hall in 1997. Other major venues include cathedrals in London, Paris, Rome, Vienna, St. Petersburg, Moscow, Madrid, and the Mormon Tabernacle. Popular music performances have been with Barry Manilow, Michael Crawford and with Barbra Streisand. Ms. Green has sung with the Opera Company of Philadelphia since 2001, and has performed solo roles in Porgy and Bess (Strawberry Woman), and Il Trovatore (Inez) as well as their innovative production, the Hip H’Opera Project. Her debut with New York City Opera at Lincoln Center was in Richard Danielpour’s opera, Margaret Garner.
Concert performances of Porgy and Bess (Bess, Clara, Serena) and I Pagliacci (Nedda) have left audiences mesmerized. Ms. Green made her debut as Aida in the spring of 2008, and has recently sung with Lyric Opera of Chicago and San Francisco Opera in their productions of Porgy and Bess. Other recent performances include an appearance with the Allentown Symphony, her debut in the title role of Tosca, the Mother in Amahl and the Night Visitors and as soprano soloist for the Verdi Requiem with both the Lancaster Symphony and Vox Ama Deus Ensemble.
As an active teacher and clinician, Ms. Green is an annual presenter at the Burlington County TeenArts Festival, and has taught at the Friends School Mullica Hill, Christus Academy in Camden, and Settlement Music School’s Camden School of Musical Arts. Ms. Green is currently a vocal teacher at ChARTer~TECH High School for the Performing Arts in Somers Point, New Jersey; and Music Director at First Baptist Church of Pitman, New Jersey.
Dana Kluczyk, soprano, has a Bachelor’s Degree in Theatre Performance at Wagner College with a Minor in Dance and has been performing since the age of 4. Dana is a proud member of Actors’ Equity Association and has performed in the 2007-2008 Broadway National Tour of Whistle Down the Wind as Brat/u/s. Dana is the winner of the Seth Rudetsky Series Sing-Off Competition 2020 and the Italian Opera Competition at Wagner College. In the summer of 2018, she studied Vocal Performance and Opera in Dresden, Germany with the Orfeo Vocal Arts Academy under the direction of Alan Dornak. It was here that Dana performed various opera pieces such as “Vanne, O Rosa Fortunata” at the famous Schloss Seifersdorf, Burg Stolpen, and Palais Brühl-Marcolini.
Dana proudly sang the National Anthem with The Village Carolers at Madison Square Garden for the NY Knicks. She completed the concept album, The Widow’s Watch, as Jesari, and can be seen in the music video for V-Day’s One Billion Rising anthem “Break the Chain” as a lead vocalist. Some of her favorite theatrical credits include: The Pirates of Penzance (Mabel), A Little Night Music (Mrs. Nordstrom), Nine (Stephanie), Titanic (Caroline Neville), and The Most Happy Fella (u/s Rosabella). Dana studies Vocal Technique under Broadway’s Victoria Clark and Mary Setrakian and with Laura Menard. In addition to theatrical and musical performances, Dana can be heard as the Main Narrator of Discord online ads/videos and on Audible as the Narrator of the Audiobook Inception. She has also been seen in various films, commercials, TV, and music video productions. productions.
“Crystalline and agile” soprano Laura Kosar enjoys a diverse career as a singer and music teacher. As a concert soloist, she has performed in Orff’s Carmina Burana, Haydn’s The Seven Last Words of Christ, and the Masses and Requiems of Brahms, Mozart, Schubert, and Bernstein. Operatic highlights include Hansel und Gretel (Gretel), Le Nozze di Figaro (Susanna), Die Zauberflöte (Pamina), Die Fledermaus (Adele), La Bohème (Musetta), and Adamo’s Little Women (Amy). This season Ms. Kosar can be seen with the Princeton Singers, Opera Delaware, the Philadelphia Symphonic Choir, and as a second year Encore Yong Artist with Ars Musica, where she will sing in Dido and Aeneas (Belinda), and as the soprano soloist in Beethoven’s Choral Fantasy. Also a passionate educator, Ms. Kosar maintains a private voice and piano studio, directs the youth choir at St. James the Less, and teaches K-3 general music at the Riverbank Charter School of Excellence. She holds a Bachelor of Music in Music Education from the University of Delaware, and a Master of Music in voice performance and pedagogy from Westminster Choir College.
American soprano Brenna Markey has been gaining acclaim for her voice and dramatic interpretation, singing a richly varied repertoire in both opera and concert. This spring, she will appear as an Emerging Artist studying Violetta in La traviata at Vinceó Academy. Last summer, Brenna appeared as a young artist in the International Summer Opera Festival of Morelia as well as Fort Worth Opera’s Master Class Series. Ms. Markey also appeared in Sparrow Live’s classical concert series in October 2020.
Ms. Markey has taken to the stage in contemporary operas such as Maren of Vardø, written by Royce Vavrek and Jeff Myers, as well as Potentialite where she gave a stunningly haunting performance as Mel, a character confronted with a decision about whether take her own life, in the premiere of this one act opera by Alize Rozsnyai and Roger A. Martinez.
Ms. Markey enchanted audiences as she performed in the November 2019 Opera at Florham Bel canto program concert as well as the Opera at Florham Violetta DuPont 2018 Vocal Competition where she was a finalist.
In Philadelphia, Ms. Markey received high praise for her soaring high notes and expressive lyric vocal quality where she premiered Alexander Dargomyzhsky’s Rusalka in the title role. She has also appeared in roles such as Pamina in Die Zauberflöte, Elvira in Bellini’s I puritani, and Lauretta in Gianni Schicchi.
Ms. Markey has also appeared in numerous concert works such as Bach’s Magnificat, Handel’s Messiah, Brahms’ Ein deutsches Requiem, Vivaldi’s Gloria, Joseph Haydn’s Missa in B “Harmoniemesse”, and Mozart’s Requiem.
A native of Bucks County Pennsylvania, Ms. Markey received her Bachelor degree in music from Temple University’s Boyer College of Music and Dance in Philadelphia where she was awarded the Professor Klara B. Meyers Tribute Scholarship. She is a pupil of the world renowned soprano Jennifer Rowley.
Madeleine Moran is a songwriter, a performer, and an educator at Harmonic Music Studios in Washington, DC, where she teaches private voice, piano, and ukulele lessons. As a member of the choir at the Cathedral of St. Matthew in Dupont Circle, she performs at weekly services and special events and concerts, and leads the congregation as a cantor. Madeleine is also available for hire as a wedding soloist.
Madeleine performs her original songs and covers throughout the DMV, including venues in Adams Morgan, the District Wharf, Arlington and Tenleytown. She also writes songs for others on commission. Her debut single “Singing to Myself” was released in February, 2019. Madeleine’s song “The Future is Female” was performed in Sydney, Australia as a winner of the Just Music competition and her songs “Who Lets Me Do This” and “When Does It Stop” were selected for performance by actors in the New York Musical Festival.
Madeleine’s composition Spirit was premiered by the Princeton Singers at the 2018 Lehigh University Choral Composers Forum and has recently been selected for the Artifice Ensemble Concert in Washington, DC. Another of her choral pieces, After Great Pain, was performed at the 2018 ACDA Eastern Conference and was also a winner of the Baltimore Choral Arts composition contest.
Madeleine’s brass quintet Mud Puddles was performed in the 2019 UNK New Music Festival for Composers and another of her woodwind quintets was selected by the Wisconsin Alliance for Composers in their 2018 New Music Festival. A movement from her song cycle of Emily Dickinson poems, Superb Surprise, was performed at the Raleigh-Durham SAI Alumnae Chapter’s 2019 spring concert.
Madeleine has a Bachelor of Music in Composition with honors from Lawrence University’s Conservatory of Music. In 2018, she was inducted into the Society of Pi Kappa Lambda and she received their composition award for her exceptional originality and skill in music composition.
Sophia Mortensen is a mezzo soprano based in New Jersey, though her love of music and classical singing began in Washington DC and the Kennedy Center’s children’s operas. She graduated from the Conservatory of Music at Brooklyn College with her Masters in Vocal Performance. She sang the role of Ljubica in the New York City premiere of Ana Sokolović’s chamber opera Svadba. She has also sung roles including Tessa in Gilbert and Sullivan’s The Gondoliers; Il Destino in Cavalli’s La Calisto with dell’Arte Opera Ensemble; Fame in The Indian Queen by Henry Purcell; Third Lady in The Magic Flute; and Siébel in Charles Gounod’s Faust. Her concert roles include alto soloist in both Handel’s Messiah and Arthur Honegger’s King David.
Tanisha Anderson is a Grammy Award-winning Mezzo-Soprano and National Marian Anderson Scholar Artist who has sung throughout the East Coast and in Europe with companies such as The Crossing, Opera Philadelphia, The Princeton Festival, The Spoleto Festival of Two Worlds (Charleston, SC & Spoleto, Italy), Berks Opera, Tapestry, VoxAma Deus Ensemble, Philadelphia Symphonic Choir, and New York Choral Society.
Ms. Anderson has performed under such conductors as Riccardo Muti, Steven Mecurio, Wolfgang Sawallisch, Robert Shaw, Joseph Flummerfelt, Donald Nally, Kurt Masur, Jaap Van Zweden, Kensho Watanabe and Yannick Nézet-Séguin in such places as Carnegie Hall, Avery Fischer Hall, The Academy of Music, McCarter Theater and The Kimmel Center. Performances of note include the Bejiing Modern Music Program, the Richard Tucker Music Foundation Gala, American Ballet Theater’s performance of Sibelius’ The Tempest, Christmas at Carnegie Hall, and as an ensemble member on Decca’s recording of Pagliacci under the direction of Riccado Muti, featuring Luciano Pavarotti in the title role.
In 2014, Ms. Anderson became a member of the renowned group The Crossing, and under the direction of Donald Nally, joined a world premiere recording of Gavin Bryar’s The Fifth Century, which won the 2018 Grammy for Best Choral Performance. In 2019, Ms. Anderson along with The Crossing and The New York Philharmonic under Jaap Van Zweden to perform the world premiere of Julia Wolfe’s, Fire In My Mouth, which was released on Decca in August 2019 and is a 2020 Grammy Nominee for Best Contemporary Classical Composition & Best Engineered Classical Album.
Currently, Ms. Anderson sings with Vox Ama Deus Ensemble, Philadelphia Symphonic Choir, Opera Philadelphia and at Trinity St. John’s Episcopal Church. Ms. Anderson was a proud ensemble member in the Spoleto Festival’s special anniversary production of Porgy and Bess and sang the role of Tia Isabel in Capitol Opera Richmond’s production of Felipe de Leon’s Opera Noli Me Tangere and covered the role of Tisbe in Berks Opera Company’s production of Gioachino Rossini’s La Cenerentola.
Brenda Belohoubek‘s warm vocal quality and glistening coloratura has earned her various roles including Susanna (The Marriage of Figaro), Sophie (Werther), Frasquita (Carmen), La Novizia (Suor Angelica), and Amore (L’incoronazione di Poppea) with Stony Hill Players, New York Opera Forum, Eastern Opera of New Jersey, New Jersey Association of Verismo Opera, and Opera NEO. In addition to the more traditional roles, Belohoubek also sings modern opera, having created the role of Lisa in Robert Butt’s The Cask of Amontillado with The Baroque Orchestra of New Jersey in its world premiere on March 26, 2014. She has also participated in several programs and festivals including the Detroit, Michigan Opera Theatre, OperaFest New Jersey, OperaWorks, and Le Chiavi di Bel Canto with the Texas Music Festival. Miss Belohoubek currently studies under Braeden Harris.
Suzanne Chadwick, Contralto, has sung with The Spoleto Festival dei due Mondi, Opera Festival of New Jersey, The Princeton Festival, The Little Opera Theater of New York, Berks Opera, ConcertOPERA Philadelphia, Empire Opera, One World Symphony, The Brooklyn Symphony Orchestra, Opera Company of Brooklyn, American Singers’ Opera Project, and the Austrian/American Mozart Academy. Ms. Chadwick has also worked extensively as a choral member throughout New York, New Jersey, and Pennsylvania, and on such recordings as Pagliacci (Muti / Philadelphia Orchestra), Honneger’s Joan of Arc (Masur/New York Philharmonic) and Dvorak’s Stabat Mater (Macal/New Jersey Symphony). Additionally, she has served as a Staff Singer/Section Leader at St. Paul’s in Chestnut Hill, PA and Trinity Episcopal in Moorestown, NJ. Other credits: Florence (Yeston/Kopit Phantom), Rosemary Clooney’s White Christmas (Sands, Atlantic City), and originating the role of “Mrs. K” in the new musical, The Real Legend of Sleepy Hollow. Along with her husband, Michael, Ms. Chadwick owns/manages The Village Carolers and can be heard on their recording, Sing We Now of Christmas. Favorite roles performed include Dame Quickly (Falstaff), La Zia Principessa (Suor Angelica), Marthe (Gounod’s Faust), Maddalena (Rigoletto), Dritte Dame (The Magic Flute), and Mary of Bethany (Passion).
Marissa Chalker, mezzo-soprano, is an active chorister and ensemble member with companies such as Opera Philadelphia, the Philadelphia Symphonic Choir, The Philadelphia Singers, The Thirteen Chamber Choir, CoOperative Concert Opera, The Princeton Festival, Opera Cleveland, Opera Per Tutti, Westminster Symphonic Choir, and the Baldwin-Wallace Bach Choir. She holds a Bachelor’s Degree from Baldwin-Wallace College in Voice Performance and a Master’s Degree from Westminster Choir College in Voice Performance and Pedagogy. Marissa resides in Philadelphia with her husband, George Somerville, teaches private voice and piano lessons, and frequently sings in the Philadelphia/greater New Jersey area.
Samantha Ferrara is a singer, actor, dancer and teacher splitting her time between New York and New Jersey. A resident of Bernardsville, New Jersey, Ms. Ferrara can be frequently found on both the professional and community stage; recent credits include Ragtime (Evelyn Nesbit), The Secret Garden (Lily Craven), Mary Poppins (Mary Poppins), and The Hunchback of Notre Dame at Paper Mill Playhouse. She graduated in 2014 from Westminster Choir College of Rider University where she studied Music Education and Musical Theater. She is currently studying with Ryan Scott Oliver and Lindsay Mendez’s Actor Therapy program, and has previously studied at The Patrick Page Studio. In addition to her performing, Ms. Ferrara is Director of the Broadway & Beyond Musical Theater program at the Continuo Arts Foundation in Summit, New Jersey, as well as a member of Sonaré, a year-long Young Artists program sponsored by the Minuetto Music Festival. Ms. Ferrara made her 54 Below debut in September 2018, and will be performing in 4th Wall Theatre’s production of Sondheim on Sondheim in December 2018.
Emily Niemeyer is a Mezzo-Soprano based in New Jersey. She received her undergraduate degrees in both Music and Theatre from Kean University where she performed in their Choir and Select Choir. She now attends New Jersey City University where she is pursuing her Masters in Classical Vocal Performance, and studies under the Metropolitan Opera’s John Hancock.
Hailed for her “fearless intensity” (Chicago Classical Review) and “intensely valid vocalism” (Voce di Meche), American mezzo soprano Erin Rosales is an up-and-coming young artist who brings dynamic stage presence and sincere musical artistry to the operatic and concert stage. Praised by Chicago Stage Standard for her “creamy” voice, Ms. Rosales is quickly establishing herself as a young artist to watch on the national scene.
Past seasons have included her role and house debut at Opera San José, performing and covering the role of Ines in Verdi’s Il Trovatore. Ms. Rosales also appeared in Fort Worth Opera’s online Masterclass series featuring renowned soprano Jennifer Rowley, and participated in Opera America’s 2020 Career Bridges Program.
The 2018-2019 season marked Ms. Rosales’s debut with the Bronx Opera Company. She performed and covered the role of The Secretary in Menotti’s The Consul as well as reprised the role of Pitti-Sing in an updated version of Gilbert & Sullivan’s The Mikado. She also appeared in Death of Classical/Unison Media’s production of Dido & Aeneas taking place in the catacombs of Greenwood Cemetery. Seen portraying the Second Witch alongside Daniela Mack in the title role, Ms. Rosales’s performance was lauded by OperaWire as “delightfully wicked” and by the Wall Street Journal as “comical yet deadly.”
For the past 5 years Jonathan Kline has enjoyed a career as a fitness professional located in New York City, specializing in Run Training, Strength Coaching, and Post Rehabilitation. Before that, he was a performing artist of modest abilities who managed to sustain a decent, if cyclical, career as a singer/actor. He is also a successful age group competitor as a distance runner, have been voted a 4x Runner of the Year by NYRR, and 2x USATF Long Distance Masters Athlete of the Year. Other than that, he tries (with varying success) to stay out of trouble.
Tenor William Lim obtained his Master and Bachelor of Music degrees from the Indiana University Jacobs School of Music. He has performed for various opera companies including Opera Philadelphia, New York City Opera, St. Petersburg Opera, Garden State Opera, Opera Libera, Opera MODO, Poor Richard’s Opera, Center City Opera Theater, Opera New Jersey, and Opera in the Ozarks. He has portrayed a wide variety of operatic roles including Rinuccio in Gianni Schicchi, Ferrando in Così fan tutte, Nemorino in L’Elisir d’amore, Pedrillo in Die Entführung aus dem Serail, Gastone in La Traviata, Mayor Upfold in Albert Herring, and Guillot de Morfortaine in Manon. He has appeared as a concert soloist with the Chamber Orchestra of Philadelphia, Symphony in C Orchestra, the Singing City, and the Philadelphia Singers. Most recently, he premiered the role of Patrick Quinlan in Francesco Santelli’s historical opera, The Silk City.
Nicholas Petroski has a Bachelor in Music Education from Mason Gross School of the Arts at Rutgers University. Nicholas has performed in an ensemble setting and as a soloist at various venues over the country and the Netherlands, including Lincoln Center, University of Utrecht, and most recently at Minneapolis Convention Center. He has been invited as a guest soloist for organizations such as the Rutgers University Glee Club, and the Summit Chorale. Nicholas has had the opportunity to perform in a number of operas such as Gounod’s Romeo and Juliet, and Puccini’s La Boheme with the Castleton Performing Arts Festival, and Eastern Opera of New Jersey. He is currently teaching music in Mount Laurel, New Jersey, and is also the Music Director of the Garden State Chorale located in Cherry Hill, New Jersey.
Tenor Cameron Smith has performed Tamino in The Magic Flute with Light Opera of New Jersey and Geneva Light Opera, Ernesto in Don Pasquale and Count Almaviva in Il Barbiere di Siviglia with American Landmark Festivals, Don Jose in La Tragédie de Carmen with Hubbard Hall Opera Theater, Tony in West Side Story with Boheme Opera NJ, Nemorino in L’Elisir d’Amore with Opera in the Heights, Stravinsky’s Renard at Tanglewood, Ermanno in Rossini’s L’Equivoco Stravagante with Bronx Opera, and Alfredo in La Traviata at Seagle Music Colony. With New York Gilbert and Sullivan Players, he has been Nanki-Poo in The Mikado, Ralph Rackstraw in HMS Pinafore, Lord Tolloller in Iolanthe, The Defendant in Trial By Jury, Captain Fitzbattleaxe in Utopia, Limited, and Leonard Meryll in The Yeomen of the Guard. Other concert engagements include Handel’s Messiah, Saul, and Alexander’s Feast, Puccini’s Messa di Gloria, Haydn’s Creation, Carissimi’s Judicium Salomonis, Alice Parker’s An American Kedushah, Bach’s Magnificat. He holds an MM from Manhattan School of Music and a BFA from The State University of New York at Purchase.
Tenor George Ross Somerville is quickly establishing himself as a singer of great vocal variety and dramatic complexity. In Sarasota Opera’s Tosca, he “was an excellent and spidery Spoletta, his versatile tenor holding us like Velcro.” (Brooklyn Daily Eagle / Nino Pantano) Originally from Point Pleasant, New Jersey, he has appeared with companies such as Opera Saratoga, Sarasota Opera, Opera Theatre of Saint Louis, Des Moines Metro Opera, Opera Philadelphia, The Princeton Festival, CoOperative Concert Opera, Opera Slavica, and the Metropolitan Opera.
In the 2016-2017 season, he made his solo debut with Opera Philadelphia as the Prince of Persia in the Renaud Doucet production of Turandot, conducted by Corrado Rovaris. He originated the role of The Runt in James Darrah’s production of Breaking the Waves, and he made his New York debut with The Prototype Festival, reprising his role in Breaking the Waves, conducted by Julian Wachner. He also sang The Evangelist in the St. Matthew Passion with David Spitko’s ensemble, The Choristers, and he created the role of Morbus in Opera Philadelphia’s world premiere of The Wake World by David Hertzberg. He currently is working with composers to bring new and exciting characters to the stage.
Highlights of previous seasons include his debut with Des Moines Metro Opera as Horace Adams in Peter Grimes, as well as Trin in La Fanculla del West, his company debut at Opera Saratoga as First Armored Man in Die Zauberflöte, a role debut as Laca in Opera Slavica’s production of Jenufa, and The Evangelist in the St. John Passion with The Thirteen Chamber Choir, conducted by Matthew Robertson.
As a professional chorister, he has appeared in the ensemble with The Cleveland Orchestra, The Philadelphia Orchestra, The New Jersey Symphony Orchestra, and The New York Philharmonic. An active church musician, he is a frequent cantor at many catholic churches in the Tri-state area, and he is the tenor section leader at Nassau Presbyterian Church in Princeton New Jersey.
A graduate of Oberlin Conservatory and Westminster Choir College, Mr. Somerville is a new member of the coaching faculty at The CoOPERAtive program, he is on the full chorus roster of Opera Philadelphia, and he is a member of the Extra Chorus with the Metropolitan Opera.
Co-Founder Michael Chadwick’s powerful bass has been featured in various operatic roles including Rocco in Fidelio, Il Commendatore in Don Giovanni, Daniel Webster in The Mother of Us All, Colline in La bohème, Betto in Gianni Schicchi, Don Alfonso in Così fan tutte, the title character in Inessa Zaretsky’s The Man in the Long Black Coat, and Judge Thatcher in Tom Sawyer. Concert solo credits include Händel’s Messiah, Fauré’s Requiem, Bach’s St. Matthew Passion, among many others.
Michael spent decades singing professionally in opera and oratorio choruses around the U.S. and abroad including Dallas Opera, Dallas Symphonic Choir, the Opera Festival of New Jersey, the Spoleto Festival USA and Spoleto Festival dei Due Mondi, Princeton Pro Musica, Fort Worth Opera, Princeton Opera, and many others. Additional credits include singing on the composer’s demo for the 2013 Disney feature film Frozen, performing the roles of Caiaphas in Jesus Christ Superstar, Cléante in Le malade imaginaire (The Imaginary Invalid), Mendel in Falsettos, Chief Bromden in One Flew Over the Cuckoo’s Nest, Ham in Two by Two, Mortimer in The Fantasticks, Cox in Cox and Box, and Eddie/Dr. Scott in The Rocky Horror Show. Michael attended Westminster Choir College for his undergraduate degree, where he performed regularly with the Westminster Choir, the New York Philharmonic, the Philadelphia Orchestra, and the New Jersey Symphony.
Michael has been the stage director for dozens of operatic productions including Falstaff, La Cenerentola, Faust, Don Giovanni, L’Elisir d’Amore, Gianni Schicchi, Le nozze di Figaro, Carmen, Don Pasquale, Le Villi, The Old Maid and the Thief, and Trouble in Tahiti. Outside of his vocal work Michael provides supertitles for opera companies all around the world.
Michael is currently pursuing a Master’s degree from Stephen F. Austin State University with a focus on Music Theory.
Brent A. Morden is a New York-based composer, arranger, conductor, singer, actor, and educator.
His work has been described as “thrilling,” “didn’t fail to entertain,” and “successfully pairing the comedic and the compelling.” Playfully known among peers as a musical Swiss Army knife, Morden’s diverse creative background lends him a unique voice that blends and transcends genre. Highlights of Morden’s career include conducting the premiere of his wind ensemble piece Fell Swoop at Carnegie Hall (Mar. 2019), composing & music directing new rock musical Infernal (2021), and assisting acclaimed music director Rob Fisher. Currently, Morden works as Program Manager for Every Voice Choirs and teaches at From Stage to Screen in Huntington, NY. Morden graduated Phi Beta Kappa from Columbia University in May 2019 with a Bachelor of Arts in Music (magna cum laude), where he served for two years as a Resident Advisor. In his spare time, Morden enjoys weightlifting & running in the park.
Morden has sung bass with The Cecilia Chorus of New York, The Teachers College Community Choir, and Christmas Matters Holiday Carolers. Morden sung extensively in college, performing vocal jazz with his a cappella group Uptown Vocal and premiering his peers’ new music compositions. Nowadays, Morden also freelances as a choral ringer in the NYC metro area and provides audio engineering services for virtual choirs.
Since June 2019, Morden has acted in a variety of stage and screen productions in the NYC Metro Area. Highlights include a regionally-touring Cinderella (Prince Charming/Plaza Theatricals), A Sketch of New York (Ensemble/ Producers Club Theaters), and the lead in indie dark comedy film Bullshido (Dexter/dir. J. Riviere). Morden has also appeared on “The Marvelous Mrs. Maisel” and performs STEM educational videos for kids through Blue Studios.
Erik Potteiger is a professional singer, percussionist, pianist, and composer currently based in Reading, PA. He received his Bachelors of Music in Choral Music Education and Vocal Performance from the University of South Carolina. Erik has performed vocally as a bass in ensembles and solo setting across a plethora of cities and states in the US, as well as eight countries across three continents. A few of the professional vocal ensembles Erik sings for include the 2018-2019 Voces8 Scholars Program Ensemble (London, England), The Cathedral Singers (Columbia, SC), The Cecilia Ensemble (Augusta, GA), Choral Arts Philadelphia (Philadelphia, PA), CORO Vocal Artists (Des Moines, IA), Coro Vocati (Atlanta, GA), CSoD (Wilmington, DE) and The Red Shift (Baton Rouge, LA).
An active church musician, Erik appears frequently as a cantor and staff singer in the Tri-state area. His prior church residencies include St. Thomas 5th Ave (New York, NY), Christ Church Cathedral (Dublin, Ireland), Durham Cathedral (Durham, England), and St. Patrick’s Cathedral (Dublin, Ireland).
Erik has also musically collaborated with many instrumental ensembles nationally, including Brandywine Brass, Des Moines Metro Opera Orchestra, Germantown Oratorio Orchestra, North Carolina Baroque Orchestra, Philadelphia Bach Collegium, Philharmonia Orchestra of New York, Quartetto Obrigado, and members of Tempesta di Mare. Away from his performing engagements, he enjoys video and audio editing, producing, recording, as well as creating virtual ensemble content and practice tracks.
We may substitute other talented singers depending on your event’s location when the need arises, or due to illness or scheduling conflicts. They are very experienced, having sung with opera and/or Broadway ensembles including such prestigious organizations as the Metropolitan Opera. Requests for particular singers may be made, but they are subject to distance and availability.
“Words are simply inadequate to describe the beautiful experience of having the Village Carolers serenade family and friends. We have hired them several times for our Thanksgiving celebration and they have stunned us each time with a breathtaking performance. Our guests were mesmerized as they dazzled us with perfect harmonies singing our favorite carols. We give them our highest recommendation!”Katharine K.